Wednesday, June 23, 2010

Wangechi Mutu





I can't even begin to discuss what her work does for me. First, there's the classicism of form, composition, that draws you to the work from across a museum floor; the strength of her use and unique quality of color and paint, sometimes reminiscent of surrealism; the redefining and recontextualizing of the female form and symbols, new perspectives and stories; then up close the discovery of the collages, and the layers of meaning they add to the form at large; the violence and gut-wrenching truths, the grotesque, the majesty. There's one of her works hanging at the Museum of Modern Art right now in the "The Modern Myth: Drawing Mythologies in Modern Times" show. One must experience her work in person to appreciate its full capacity. It's a moving experience, one that you can't take your eyes off of. I look forward to when New York City hosts a large retrospective of her work.

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